Editing and Post Production (EPP) MA
Our course has been designed in conjunction with the thriving London post production sector to make sure you'll be working on the most relevant platforms. We'll introduce you to a number of roles across post, including grading and compositing.
Teaching is delivered by industry specialists and emphasises professional collaboration in the context of digital film production. Subjects covered include working with digital cinema camera recording formats (e.g. Arri’s Log C format), colour grading, audio post production and delivery platforms.
We aim to produce job-ready graduates, capable in freelance work, enterprise, and new economic models for the creative industries.
Why Editing and Post Production at LSBU?
- Work with industry leading software such as Media Composer, Nuke and DaVinci/Fusion. Students will have the opportunity to gain accreditation in Da Vinci and Media Composer.
- Regular guest lectures from professionals at all levels of the industry, including freelancer editors, colourists and compositors.
- Multi-million pound Elephant Studios: Arri Cameras, Dolby Atmos Surround Sound studios and cinemas, grading suites, news room and games design centre, digital design suites, and industry-ready film and photographic studios.
- Students will be offered optional placements at post houses in London to help build up a network of contacts. These placements can lead to permanent roles upon graduating.
Top 5 in London for student satisfaction in Film Production and Photography (Guardian 2019).
Modules are taken in one year for full time study and over two years for part time study. They cover an array of topics, including the art of editing, visual effects and colour grading.
- The art of editing (40 credits)
This module will introduce you to the historical, cultural, political and artistic developments of editing film and digital video. You will explore editing techniques through both theory and practice based experimentation, as well as a range of editing concepts including options of montage, dialectical approaches to film form, duration, continuity and post-continuity and what Walter Murch calls ‘the rule-of-six’.
- Visual effects and compositing (20 credits)
You will develop an understanding of the concepts and technical processes involved in VFX. This module will introduce you to 2D compositing software, and while working with this software, you will be exploring keying, masking and tracking. You will be introduced to the exciting and growing world of the VFX industry in London and the key contacts that will help you progress after PG study.
- Role of the editor (40 credits)
There are two aspects of this module: you will be introduced to editing using Avid’s Media Composer software, you will then also be given a detailed overview of the post production industry.
You will receive first-hand experience of the post-production pipeline, you will be provided with pre-existing footage in order to familiarise yourself with the basics of editing visuals and mixing sound and eventually exporting. You will also be familiarised with the post production sector. You will learn how the industry operates, its future trajectory and knowledge of the key plays in order to create a successful on-going career.
- Colour grading and finishing (20 credits)
This technical module is designed to give you an experience of working in industry standards and according to established workflows in professional colour grading suits, using footage shot on high end digital cinema cameras. The role of the colourist in film and television is a creative role, and you will be called upon to exercise independent and creative decision-making. You will undertake the necessary research to make informed choices according to the demands of different professional, aesthetic and technological contexts.
- Editing and post production: Major project (60 credits)
This module is your chance to undertake an ambitious project that will require you to bring together and test all your skills as an editor, thereby acting as a major part of your portfolio and demonstrating your readiness for employment in the industry.
We aim to produce job-ready graduates with the know-how and insight required to embark on careers in the creative industries, delivering professional practice skills around freelance work, enterprise, and new economic models.
We are University of the Year for Graduate Employment for the second year in a row - The Times and Sunday Times Good University Guide 2018, 2019.
At LSBU, we want to set you up for a successful career. During your studies – and for two years after you graduate – you’ll have access to our Employability Service, which includes:
- An online board where you can see a wide range of placements: part-time, full-time or voluntary. You can also drop in to see our Job Shop advisers, who are always available to help you take the next step in your search.
- Our Careers Gym offering group workshops on CVs, interview techniques and finding work experience, as well as regular presentations from employers across a range of sectors.
Our Student Enterprise team can also help you start your own business and develop valuable entrepreneurial skills.
Ben Mallaby is a BAFTA-nominated comedy director of commercials and short films for festivals and online. He has recently completed a six-part web series for BBC3 with Tiger Aspect called ‘Climaxed’. He’s had films screen at the BFI London Film Festival and win awards internationally.
The Film Studio is a double-height room with a lighting grid, DMX lighting control, green screen backdrop, air conditioning, green room (for make-up and wardrobe) and sound isolation for use as a soundstage.
The seven Editing Suites are ideal for editing video, sound and recording quick voice-overs. All suites are networked with ultra-fast 10Gb/s network, making it possible to edit and grade, whilst sharing production files at speed.
The Grading Suites have neutral wall colours and lighting to provide optimal conditions for the colourist. The premium suite (Grading Suite 1) includes a Dolby calibrated screen to ensure ideal conditions.
The Sound Studio features a control and live room, ideal for post-production work, mixing and recording small bands. Both rooms are acoustically treated and isolated.
This 36 seat cinema features a 4K projector and 5.1 sound playback, and is ideal to preview production work before it goes out to the public.
The Elephant Studios at LSBU Mac Lab is fitted with Quad-Core and Dual GPU MacPros, available for digital media workshops and unsupervised student work.
Teaching and learning
You'll be taught by experienced lecturers and visiting tutors, who combine their teaching with work in the EPP industry.
Students can work on projects with VFX in the Division of Creative Technologies and SFX in the School of Engineering.
As an Arts and Creative Industries student, you will be allocated a named tutor during your first three weeks at LSBU. The role of your tutor is to be your primary contact for academic and professional development support.
Your tutor will support you to get the most of your time at LSBU, providing advice and signposting to other sources of support in the University.
Your tutor should be the first person at the university that you speak to if you are having any difficulties that are affecting your work. These could be academic, financial, health-related or another type of problem.
Your tutor will keep in touch with you throughout your course and you can contact your tutor for additional meetings or support by email.
- UK Honours degree (2:2 or higher) in a relevant subject; or
- Equivalent qualification; or
- Relevant work experience.
Some practical experience of EPP and editing software is recommended but not essential for entry on the course.
How to apply
International (non Home/EU) applicants should follow our international how to apply guide.
|Mode||Duration||Start date||Application code||Application method|
If your course has a January start option, you should apply through UCAS Postgraduate. Postgraduate students and research students applying for September entry should use our dedicated application system. Full details of how to do this are supplied on our How to apply section for postgraduate students and our How to apply section for research students.
Students should apply for accommodation at London South Bank University (LSBU) as soon as possible, once we have made an offer of a place on one of our academic courses. Read more about applying for accommodation at LSBU.
It's a good idea to think about how you'll pay university tuition and maintenance costs while you're still applying for a place to study. Remember – you don't need to wait for a confirmed place on a course to start applying for student finance. Read how to pay your fees as a postgraduate student.
Postgraduate Application Service
Book a session with one of our specialist Postgraduate Advisors. Over a one on one Advice Session they'll advise you on postgraduate degrees at LSBU that match your interests and experience. Book an Advice Session.
Fees and funding
Fees are shown for new entrants to courses, for each individual year of a course, together with the total fee for all the years of a course. Continuing LSBU students should refer to the Finance section of our student portal, MyLSBU. Queries regarding fees should be directed to the Fees and Bursaries Team on: +44 (0)20 7815 6181.
|UK/EU fee: £7500||International fee: £13125|
|AOS/LSBU code: 4933||Session code: 1FS00|
|UK/EU fee: £3333.33||International fee: £5833.33|
|AOS/LSBU code: 4932||Session code: 1PS00|
|Total course fee:|
For more information, including how and when to pay, see our fees and funding section for postgraduate students.
Possible fee changes
The University reserves the right to increase its fees in line with changes to legislation, regulation and any government guidance or decisions.
The fees for international students are reviewed annually and the University reserves the right to increase the tuition fees in line with the RPIX measure of inflation up to 4 per cent.
Postgraduate loan (PGL) for Masters study
If you are starting a Masters course, studying either full- or part-time, you may be entitled to apply for a postgraduate study loan. Find out more at our postgraduate fees and funding section.
We offer several types of fee reduction through our scholarships and bursaries. Find the full list and other useful information on funding your studies on the scholarships and fee discounts page.
Please check your fee status and whether you are considered a Home, EU or International student for fee-paying purposes and for our regulatory returns, by reading the UKCISA regulations.
Select a story and read about practical project work, students' placement experiences, research projects, alumni career achievements and what it’s really like to study here from the student perspective.
Prepare to start
We help our students prepare for university even before the semester starts. To find out when you should apply for your LSBU accommodation or student finance read How to apply tab for this course.
Enrolment and Induction
Enrolment takes place before you start your course. On completing the process, new students formally join the University. Enrolment consists of two stages: online, and your face-to-face enrolment meeting. The online process is an online data gathering exercise that you will complete yourself, then you will be invited to your face-to-face enrolment meeting.
In September, applicants who have accepted an unconditional offer to study at LSBU will be sent details of induction, which is when they are welcomed to the University and their School. Induction helps you get the best out of your university experience, and makes sure you have all the tools to succeed in your studies.
Preparatory Reading List
- Atkinson, S (2016) From Film Practice to Data Process: Production Aesthetics and Representational Practices of a Film Industry in Transition. Edinburgh University Press: Edinburgh.
- Davinci Resolve 12 Beta Reference Manual. Black Magic Design.
- Hollyn, N (2009) The Film Editing Room Handbook: How to Tame the Chaos of the Editing Room. (4th Edition) Peachpit Press: California.
- Hullfish, S (2012) The Art & Technique of Digital Color Correction. Focal Press: Oxon.
- Ondaatje M (2002) The Conversations - Walter Murch and the Art of Editing Film. New York: Random House.
- Pearlman, K. (2016) Cutting Rhythms: Intuitive Film Editing. Focal Press
- Reisz, K and Gavin Millar eds. (2009) The Technique of Film Editing. Focal Press.
- Tomaric, J. (2015) Editing: Master the Art and Process of Film Editing: Volume 6 (Behind the Screen). CreateSpace Independent Publishing Platform; 1 edition
- Van Hurkman, A (2014) Colour Correction Handbook. (2nd Edition) Peachpit Press: California.
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